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Schecter made several variations of the Ultracure VI, a Robert Smith signature model based on the Bass VI.īrian Molko and Stefan Olsdal of Placebo play Fender Bass VIs, with Molko saying, "Playing the Fender VI is like playing two instruments in one, it can be treated as a guitar and as a bass." The Jaguar Baritone Custom used the same string gauges and tuning as the Bass VI, but differed in that it has a Jaguar-shaped body, two pickups with Jaguar-style switching options, a fixed bridge and a shorter 28.5-inch scale length. In 2004, Fender issued the Fender Jaguar Baritone Custom (later renamed "Jaguar Bass VI Custom"), which in format was a combination of the Bass VI and the Fender Jaguar. Other 'boutique' builders have begun adopting the aftermarket 'Mastery' version of this unit, and its popularity has increased dramatically in the decade since 2010. It has since reappeared with the reissue of the Jazzmaster model, and is used on some other Fender reissues. It disappeared from the Fender catalogue with the withdrawal of the Jaguar line in the 1970s.
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Engineered to mimic the function of the Bigsby vibrato-tailpiece, it was more elaborate than the synchronized tremolo of the earlier Fender Stratocaster, and was claimed by Fender to be superior, but it failed to achieve the same popularity. This mechanism was developed for the Fender Jazzmaster and also used on the Fender Jaguar. The vibrato tailpiece was the floating type with a locking device. Tone control (treble cut-off) potentiometer.Tone control slider switch (bass cut-off, or "strangle") (not on very early models).Įlectronics mentioned above were all passive electronics. This remained the setup of the Bass VI throughout its remaining 12 years of continuous production. In 1963, the Bass VI electronics were revised to incorporate some features from the Jaguar, with the adoption of toothed pickups and the addition of a fourth slider switch to provide bass-cut.
#FENDER BASS GUITAR IDENTIFICATION MAC#
Peter Green using the Bass VI while in Fleetwood Mac
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(1961–1975 and in select reissues) Fender Mute.Fender floating bridge and Fender Jaguar/ Jazzmaster-style tremolo arm.
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Curved fingerboard (rosewood), radius 7.25" / 184 mm, 21 frets.versions, 30.3" for the Japanese versions. Scale length 30" / 762 mm ( as opposed to 34" / 864 mm for the Jazz and Precision basses) for the U.S.Solid body (alder) fretted electric bass guitar, six strings in six courses tuned E-A-D-G-B-E an octave below the standard guitar tuning.In 1970, as with the other Fender basses in production at the time (excluding the Precision Bass), the Bass VI was also offered with a black-bound Maple neck with black rectangular block inlays. The Fender VI, along with the Jaguar, the Jazzmaster and the Electric XII, was given a cream/white-bound fretboard with rectangular pearloid block inlays in 1967, followed by a thicker black CBS-style headstock decal and polyester finishes instead of nitrocellulose lacquer in 1968. Like other Fenders of the time, the Fender VI had a 7.25-inch fingerboard radius. Most of the other main features are similar to the Vintage Modified model. 1.65") and is equipped with narrow, tall frets. It has a slightly wider width at the nut than the Vintage Modified Bass VI In 2019, Squier released its Classic Vibe Bass VI, available in three-color sunburst and black. It currently is available in three-color sunburst and Olympic white. It was available in three-color sunburst finish with tortoiseshell pickguard, Olympic White with a brown tortoiseshell pickguard and black with a white three-ply pickguard. It continued the trend set by the Squier Vintage Modified Jaguars and Jazzmasters of having a non-locking tremolo plate. This model was similar to the traditional Bass VI design with four switches (on/off for each pickup and a "strangle" (low-cut filter) switch) and a Jaguar-style control plate. There are three available colors: brown sunburst with a tortoiseshell pickguard, black with a tortoiseshell pickguard, and candy-apple red with a white pickguard and painted headstock.Īlso in 2013, Squier released a Bass VI as part of the Vintage Modified series. In line with the series' purpose to reconfigure classic Fender designs, this version of the Bass VI has a Jazzmaster-type humbucking P-90 bridge pickup and a Stratocaster-style five-position pickup selector, as opposed to separate switches. In 2013, Fender released a Bass VI model as part of its Pawn Shop series. This format was previously available as a 1962 vintage reissue model made by Fender Japan in 1995. In 2006, the Fender Custom Shop released a re-creation of the Bass VI, featuring three single coil pickups and identical electronics.